Movie Stars Fear Inroads by Upstart Digital Actors ¿µÈ ¹è¿ìµé, µðÁöƲ ¹è¿ì µîÀå¿¡ ±äÀå LOS ANGELES, July 7 - Aki Ross, a versatile young actress who stars in a movie to be released this week, rakes slender fingers through wind-rippled hair. The light contracts her pupils and glistens on sweat-streaked cheeks, as her eyes sparkle with the eerie illusion of intelligence. À̹ø ÁÖ¿¡ °³ºÀµÉ ¿µÈÀÇ ÁÖ¿¬À» ¸ÃÀº ´ÙÀç ´Ù´ÉÇÑ ÀþÀº ¿©¹è¿ì ¾ÆÅ° ·Î½º´Â ¹Ù¶÷¿¡ ¹°°áó·³ È𳯸®´Â ¸Ó¸®Ä«¶ôÀ» °¡´À´Ù¶õ ¼Õ°¡¶ôÀ¸·Î °¡Áö·±È÷ ¾µ¾î ³Ñ±ä´Ù. ºÒºûÀÌ ºñÄ¡ÀÚ ±×³àÀÇ µ¿°øÀÌ ¼öÃàµÇ°í ¶¡À¸·Î ¾ó·èÁø µÎ »´ÀÌ ¹øµé°Å¸®¸é¼ µÎ ´«Àº ¸¶Ä¡ (½º½º·Î)Áö´ÉÀÌ¶óµµ ÀÖ´Â ¾çÇÏ´Â ¼¶¶àÇÑ Âø°¢À¸·Î ¹Ý¦ÀδÙ.
Key words * versatile : ´ÙÀç ´Ù´ÉÇÑ. * to be released this week : À̹ø ÁÖ¿¡ °³ºÀµÉ. * rake : °¥ÄûÁúÇÏ´Ù, ¸Ó¸®Ä«¶ôÀ» ¾µ¾î³»¸®´Ù. * ripple : Àܹ°°áÀ» ÀÏÀ¸Å°´Ù. * pupil : ´«µ¿ÀÚ, µ¿°ø. * glisten : ¹Ý¦ÀÌ´Ù, ¹Ý¦¹Ý¦ ºû³ª´Ù. * streak: ¹øÂ½ÀÌ´Ù. It feels eerie because Aki is composed only of pixels, and she is created and manipulated by a computer animator who works his mouse like a weaver at his loom. Aki makes her bid for stardom as the heroine of "Final Fantasy: The Spirits Within," a fully digital film to be released on Wednesday by Columbia Pictures that is loosely based on a popular series of video games. ¼¶¶àÇÑ ´À³¦ÀÌ µå´Â °ÍÀº ¾ÆÅ°°¡ ȼÒ(ûþáÈ)·Î¸¸ ÀÌ·ïÁø Á¸ÀçÀ̱⠶§¹®Àε¥, ±×³à´Â º£Æ²¿¡ ¾ÉÀº Á÷ÀÎ(òÄìÑ)ó·³ ¸¶¿ì½º·Î ÀÛ¾÷ÇÏ´Â ÄÄÇ»ÅÍ ¾Ö´Ï¸ÞÀÌ¼Ç Á¦ÀÛÀÚ°¡ ¸¸µé°í ¶Ç ±× ¼ÕÀ¸·Î Á¶À۵ȴÙ. ¾ÆÅ°´Â '¸¶Áö¸· ÆÒŸÁö'ÀÇ ¿©ÁÖÀΰøÀ¸·Î¼ ½ºÅ¸ÀÇ ÀÚ¸®¿¡ ¿À¸£·Á Çϴµ¥ Ä÷³ºñ¾Æ ¿µÈ»ç°¡ Áö³ ¼ö¿äÀÏ¿¡ °³ºÀÇÑ ÀÌ ¼øÀüÇÑ µðÁöƲ ¿µÈ´Â ´ëü·Î Àαâ ÀÖ´Â ºñµð¿À°ÔÀÓ ½Ã¸®ÁîÀÇ ³»¿ëÀ» ¹ÙÅÁÀ¸·Î ÇÑ °ÍÀÌ´Ù.
Key words * eerie : À¸½º½ºÇÑ. * composed of : ~À¸·Î ¸¸µé¾îÁö´Ù, ~À¸·Î ÀÌ·ç¾îÁö´Ù. * manipulate : Á¶ÀÛÇÏ´Ù. * weaver : Á÷°ø. * loom : º£Æ². In Hollywood, many people believe digital production and distribution will revolutionize the way movies are shot, edited and sent to a multiplex near you. Already, the computer has made it possible to convincingly recreate ancient Rome and a dogfight over Pearl Harbor. Until now, just about all that has remained beyond the computer's grasp has been the actor's realm: too nuanced, too human, too unknowable for the animator's skill. Çæ¸®¿ìµåÀÇ ¸¹Àº »ç¶÷µéÀº µðÁöƲ Á¦ÀÛ ¹× ¹èÆ÷°¡ ¿µÈÀÇ ÃÔ¿µ°ú ÆíÁý, º¹ÇÕ ¿µÈ°ü ¹è±Þ µîÀÇ ¹æ½Ä¿¡ Çõ½ÅÀûÀÎ º¯È¸¦ °¡Á®¿Ã °ÍÀ¸·Î ¹Ï°í ÀÖ´Ù. ÀÌ¹Ì ÄÄÇ»ÅÍÀÇ ÈûÀ¸·Î °í´ë ·Î¸¶ÀÇ ¸ð½À°ú ÁøÁÖ¸¸ »ó°øÀÇ °øÁßÀüÀ» ÀçÇöÇÒ ¼ö ÀÖ°Ô µÇ¾ú´Ù. Áö±Ý±îÁö °è¼Ó ÄÄÇ»ÅÍÀÇ ÈûÀÌ ¹ÌÄ¡Áö ¸øÇß´ø °ÍÀÌ ¹è¿ìÀÇ ¿µ¿ªÀÌ´Ù. ¹Ì¹¦ÇÑ Â÷ÀÌ¿Í Àΰ£´Ù¿î Ãø¸é, ºÒ°¡ÁöÇÑ ¸éÀÌ ³Ê¹« µÎµå·¯Á® ¾Ö´Ï¸ÞÀÌ¼Ç Á¦ÀÛÀÚÀÇ ¼Ø¾¾·Î °¨´çÇÒ ¼ö ¾ø¾ú´ø °ÍÀÌ´Ù.
Key words * grasp : Áö¹è, ¹üÀ§. * realm : ¿µ¿ª. But with movies like "Final Fantasy," filmmakers are beginning to create photo-realistic computer characters that, at least in fleeting moments, will try to convince the audience that actual humans are on the screen. ±×·¯³ª '¸¶Áö¸· ÆÒŸÁö'°°Àº ¿µÈ°¡ µîÀåÇÏ¸é¼ ¿µÈÁ¦ÀÛÀÚµéÀº ÃÖ¼ÒÇÑ ÇѼø°£À̳ª¸¶ °ü¶÷°´¿¡°Ô ½ÇÁ¦ Àΰ£ÀÌ ½ºÅ©¸°¿¡ µîÀåÇß´Ù°í ¹Ï°Ô²û ¸¸µé·Á´Â, ±×·± »çÁøÃ³·³ »ý»ýÇÑ ÄÄÇ»ÅÍ Ä³¸¯Å͵éÀ» ¸¸µé¾î³»±â ½ÃÀÛÇÑ ¼ÀÀÌ´Ù.
Key words * fleeting : ¼ø½Ä°£ÀÇ. It is called photo-realistic animation, and "Final Fantasy" promises to carry it further than any movie has. »çÁøÃ³·³ »ý»ýÇÑ ¾Ö´Ï¸ÞÀ̼ÇÀ̶ó°í ºÒ¸®´Â °ÍÀÌ ÀÌ·± °ÍÀε¥ '¸¶Áö¸· ÆÒÅÍÁö'´Â ±× ¾î´À ¿µÈº¸´Ùµµ ±×·± »ý»ýÇÔÀ» Ãß±¸ÇßÀ½ Á÷ÇÏ´Ù. The specter of the digital actor - a kind of cyberslave who does the producer's bidding without a whimper or salary - has been a figure of terror for the last few years in Hollywood, as early technical experiments proved that it was at least possible to create a computer image that could plausibly replace a human being. But as "Final Fantasy" makes its way into theaters - the first of what promises to be a string of movies trying to put this challenge to the test - many wonder if the threat is as real as it once seemed, or if it simply takes computer animation down a fruitless cul-de-sac. µðÁöƲ ¹è¿ì- Å·Å·°Å¸®Áöµµ ¾Ê°í ¶Ç °³·±Æ¼µµ ¹ÞÁö ¾ÊÀ¸¸é¼ ÇÁ·Îµà¼°¡ ½ÃŰ´Â ´ë·Î ±º¼Ò¸® ¾øÀÌ Àß ÇÏ´Â ÀÏÁ¾ÀÇ »çÀ̹ö ³ë¿¹-¶õ µµ±úºñ´Â Áö³ ¸î ³â µ¿¾È Çæ¸®¿ìµå¿¡¼´Â °øÆ÷ÀÇ ´ë»óÀ̾ú´Ù. ÃʱâÀÇ ±â¼úÀû ½ÇÇè°úÁ¤À» ÅëÇØ Á¦¹ý ±×·²µíÇÏ°Ô »ç¶÷À» ´ë½ÅÇÒ ¼ö ÀÖ´Â ÄÄÇ»ÅÍ À̹ÌÁöÀÇ Ã¢Á¶°¡ ÃÖ¼ÒÇÑ °¡´ÉÇÏ´Ù´Â Á¡ÀÌ ÀÔÁõµÇ¾ú±â ¶§¹®ÀÌ´Ù. ±×·¯³ª '¸¶Áö¸· ÆÒÅÍÁö'°¡ ¿µÈ°üÀ¸·Î ¹è±ÞµÇ¸é¼- ÀÌ·± °úÁ¦¸¦ ½ÃÇèÇØº¸·Á´Â ÀÏ·ÃÀÇ ¿µÈ°¡ µÉ ¹ýÇÑ °Í Áß Ã¹ ¹øÂ°- ¸¹Àº »ç¶÷µéÀº ±×·± À§ÇùÀÌ °ú°Å¿¡ »ý°¢µÇ¾ú´ø °Íó·³ ½ÇÁ¦ÀûÀÎ °ÍÀÎÁö ¾Æ´Ï¸é ÄÄÇ»ÅÍ ¾Ö´Ï¸ÞÀ̼ÇÀÌ ¾Æ¹«·± º¸¶÷µµ ¾øÀÌ ¸·´Ù¸¥ »óȲ¿¡ ºÎµúÃĹö¸®°í ¸¸ °ÍÀÌ ¾Æ´Ñ°¡ ÇÏ°í »ý°¢ÇÑ´Ù.
Key words * whimper : ¿ì´Â ¼Ò¸®. * cul-de-sac : ±ÃÁö, °ï°æ.
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